Jumat, 21 Januari 2011

Update on New Fantasyland at Magic Kingdom Park

The Updated Fantasyland

As many of you know, we’re in the midst of the largest expansion in Magic Kingdom history, which will nearly double the size of Fantasyland. And we’re thrilled about the expansion because it’ll allow us to tell our treasured stories in new ways and give you the opportunity to interact with some of our beloved characters like never before. Today, we’d like to give you a first glimpse of the progress we’re making in bringing these stories to life and a look at some of the art will be sharing with the media later tonight.

Under the Sea: Journey of The Little Mermaid

First, work is already well underway on many of the experiences we’ve already told you about, so let’s start with Under the Sea: Journey of The Little Mermaid. In this attraction, Ariel and all her friends will entertain you in a ride-through adventure featuring favorite songs from the popular animated feature.

Not too far from Ariel’s new home, construction is underway on Beast’s castle which will stand majestically upon a hill. You will cross over a stone bridge as you arrive at Be Our Guest Restaurant. Set in the halls of the Beast’s Castle, this location will seat up to 550 guests and offer “great food fast” service by day and full table service dining in the evening. Just outside the restaurant, you will also be able to explore Belle’s Village, which includes Gaston’s Tavern and Bonjour! Village Gifts.

Nearby at Belle’s cottage, a magical mirror is the doorway to a captivating new kind of experience, where Belle, Lumiere and guests participate in a lively re-telling of the “tale as old as time.” In Enchanted Tales with Belle, the adventure begins at Maurice’s cottage, where you’ll step through an enchanted mirror that magically transports you to Beast’s library for an interactive storytelling session with Belle.

Additions to Dumbo the Flying Elephant

Just across the way is the brand new Storybook Circus, where we’re doubling the fun by adding another carousel to Dumbo the Flying Elephant. While you wait to board this Fantasyland favorite, you’ll have a chance to join the circus and step inside the Big Top for fun-filled interactive experiences for kids of all ages. Alongside Dumbo the Flying Elephant, the existing Barnstormer is getting a new look as well, featuring Goofy as The Great Goofini. This exciting attraction will take you on a twisting, turning, daredevil, roller coaster “flight” high above the circus fun.

The Seven Dwarfs Mine Train

As with any project of this scale, we’ve also continued to look for additional ways to surprise and delight our guests and I think you’ll be pleased. One opportunity we’re especially excited about is the chance to tell Snow White’s story in a fresh new way. The Seven Dwarfs Mine Train will take you on a rollicking, musical ride into the mine “where a million diamonds shine.” The coaster will feature a first-of-its kind ride system with a train of ride vehicles that swing back and forth as they whisk along the track. The journey will be accompanied by music from the classic Disney film and animated figures of Snow White and the Dwarfs.

Our other Disney princesses will also be getting a new home (actually, they prefer to call it a castle) in the all new Princess Fairytale Hall. Aurora, Cinderella and other Disney princesses, such as Tiana and Rapunzel, will greet you in an elegant royal court at the location where Snow White’s Scary Adventures is today. This new experience will be in place of some of the earlier plans we shared regarding opportunities to interact with your favorite princesses.

And Tinker Bell and her fairy friends will be joining the cast at Epcot where they will have special roles bringing the flora and fauna to life during the Flower and Garden Festival.

The New Fantasyland will be constructed in phases with most new experiences open by 2013. We look forward to sharing more with you as our work progresses.

Update on New Fantasyland at Magic Kingdom Park by Thomas Smith: Originally posted on the Disney Parks Blog

Nothing New: 7 modern car technologies that are actually 100 years old

I often say, flippantly, that the industry is just now starting to master the technologies of a century ago. That’s been more an impression than a statement of fact; I recall seeing many things in early publications and thinking, “wow, I had no idea they did that so soon,” but if pressed, I wouldn’t be able to provide examples. Time to remedy that, with a quick survey of some ideas that were before their time.

1. Turbocharging




The idea of turbo-compressing seems to come from the 1890s and became widely known in less than a decade, starting around 1900. By about 1905, centrifugal compression was in use in marine engines and other heavy-duty applications. That same year, Swiss engineer Dr. Alfred Büchi patented an exhaust-driven turbocharger in what we’d consider a modern configuration.

England and France were the hotbeds of turbo research, however, with a large variety of engine configurations and external devices, all creating forced induction. The word “turbo” itself appears more than a century ago, on the English device shown (I haven’t been able to learn more about it). Sold as an add-on, we’d probably call it a supercharger today, as it was driven by a shaft from a friction wheel in contact with the flywheel. Actually, we’d probably call it a waste of money, as it couldn’t possibly have had any benefit, but the idea was sound.



High exhaust motor, 1912

That’s not to say Americans didn’t have the idea of turning a turbine with exhaust gas; devices such as the High exhaust motor replaced the flywheel, hypothetically returning force directly to the crankshaft.

Auburn, Cord and Duesenberg, among others, used supercharged forced induction before World War II, sometimes to great success, but exhaust-driven turbocharging had to wait for the Corvair to see mass production.

2. Hybrids




1900 Elektromobile System Lohner-Porsche

This is my favorite early technology, and no mistake it is very early. The 1900 Lohner-Porsche petrol-electric – which had a Mercedes or Panhard four-cylinder connected to a dynamo, powering two front-wheel hub motors – is certainly the most famous, but despite repeated efforts, hub motors have yet to see practical production. But there were innumerable others with other solutions, one of which, Rambler, had what seems to have turned out to be THE solution: Integrated motor assist.


Rambler developed a motor/generator to replace the flywheel, originally simply as a starter. Early starters were enormous and heavy, but by connecting the new unit directly to the crankshaft in the 1912-’13 (I think) Cross Country, they simplified things. Made by United States Heating and Lighting Company (U.S.L.), it was completely automated: it functioned as a motor when starting, drawing from a 24-volt storage battery, then switched to generator mode when the engine engaged, with a regulator to prevent overcharging. The big spinning armature served as the flywheel.



So far, this is just a clever starter, but there was one difference: Because there was no gear reduction, you could safely use it to get the car under way. In fact, taking the car up to about 5 MPH before starting seems to have been a preferred way of getting it going. That’s right: at low speeds it was an electric, then switched to gas. Right down to the location of the generator, this is the way a Honda Insight works today.

Even that wasn’t original – in about 1898, both Pieper in Belgium and Patton Motor Co. in Chicago had electric assist: A small engine was kept running at constant speed, driving a dynamo and charging a battery. When conditions demanded more power than the engine was putting out – hillclimbing, for instance, the dynamo automatically switched to assist mode.

3. Power brakes


When you drive an early car for the first time, the weak brakes make themselves known immediately. You’re forgiven for thinking they were an afterthought, but the issue was actually the tires. Even a skimpy contracting band could lock up slick three-inch wide rubber, but that didn’t mean there weren’t inventors thinking up better solutions than rods and leather belts.

Like hydraulic power brakes.


That there is the master cylinder from John Unser’s 1904 patent (#794,382) for hydraulic brakes. “Hydraulic,” in this case, meant “operated by the pressure of air or other similar fluid;” his pump and reservoir could be adapted for liquids. For traction engines, there was even an outlet at the end to hook up to your trailer, like you do with a Perterbilt today. This stuff doesn’t spring up out of whole cloth and I could undoubtedly find someone discussing the use of some rail braking mechanism for road trains, but you get the idea.

4. Disc brakes



Because clutch disc brakes were in common use, it’s been very tricky to pin down the first application of wheel disc brakes. However, the earliest version is acknowledged to be the F.W. Lanchester’s 1902 patent,and by 1903 it was being used very successfully in Lanchester automobiles. Given Fred Lanchester’s background and track record of startling invention, it entirely possible he came up with the idea.



Metz multiple disc brakes



Argyl front wheel drums

By 1915, Metz was offering a hub-mounted version of multiplate disc clutch brakes, and Scottish make Argyl had four-wheel internal expanding drums. Lanchester’s experment didn’t last long, but French automakers started playing around with discs again in the Twenties.

5. Fuel injection




Blown, air-cooled, fuel-injected, two-stroke experimental automobile, 1908

Because there was continual interest in oil-burning engines, fuel injection and direct injection were known quantities. The trouble, as manufacturers relearned in the Fifties, is that mechanical fuel injection requires precise timing and metering, and expensive, close tolerance machining. It was first developed in European stationary engines in the early 1890s, and developed for automobiles and other vehicles around the turn of the century – the Wright brothers rather famously made it work in 1903. In America, it was really limited to a small number of independents at the time, however, as there wasn’t enough money in the industry to support a sufficiently developed field of enquiry. In France, M. Levassor had running fuel-injected automobiles by 1903, and may even have sold some for road use.


That was no longer true a few years later, and by around 1907 there were experimental fuel-injected cars running. To address the troubling issue of preignition, many, if not all, were two strokes, and alcohol was often used; this was much less of a problem in the already well-established kerosene (Diesel) engines. By 1910, fuel injection was widely discussed even among layman and everyone expected that the problems would be ironed out soon. But it really wasn’t until the Thirties that it became widely available in the U.S., and then only as speed parts.

6. Rotary and turbine engines


Rotaries of every possible configuration abounded in the 1800s; the idea had been around for centuries, and Pecquer’s self-propelled 1828 steam wagon was a rotary, probably turbine style. They were, in fact everywhere. Most were rotaries in the sense that, familiar from rotary piston aircraft, the pistons revolved around the crankshaft while reciprocating; the other class were turbines.

Single-rotor steam engines were, if not common, at least a known line of inquiry. Adding combustion to a rotating chamber was something else. But in the 1890s a few played around with the idea of abandoning pistons altogether, for a Wankel-style rotor. All of these inventors are obscure to the point I have no idea who they were, but the 110-plus-year-old combustion engines of Chaudin, Garnder and Sanderson, Batley, Vernet, Dodement and Beetz are recognizably non-reciprocating rotaries.



André Beetz’s rotary



Gardner-Sanderson petrol turbine rotary

Some experts saw the reciprocating piston gas engine as a stopgap, assuming that within a few years the problems with turbines – the same ones as with fuel injection – would be ironed out and soon become the automobile powerplant of choice.

7. Automatic transmissions


The earliest automatics were more properly CVTs, some form of variable ratio transmissions, often using belts or flywheels. An automatic tension belt design from Europe, using a belt and spur gears, appeared in 1900, and there were numerous friction drive vehicles available right along, where power was transmitted through the action of one wheel to another at right angles. So from a “you don’t have to shift” perspective, automatics are as old as the car.


But in 1901, the patented Shattuck Variable Gear transmission debuted in Minneapolis. The driver did still need to shift, but the actual gearchange was theoretically automatic – no clutching needed. At the same time, planetary transmissions, as popularized by the Model T, were well along in development. All that was needed was the torque converter, which was 20 years away.



1914 Entz electric transmission

So interest turned to electric transmissions. As in some of the hybrids, a motor-generator was placed behind the engine in the drivetrain, and a magnetic clutch was often used to further simplify operation. The simplest systems, like the R.M. Owen unit above, didn’t use large accumulators; they were designed to be driven solely by the engine, but without the need for shifting; all you had to do was flip the switch to disengage it at a stop. A very similar system was used in the production 1907 Columbia gas-electric.



Lavaud automatic transmission

Work on automatics continued unabated, and by 1923 you could hook your Voisin-Lavaud automatic to an English Constantinesco torque converter.

By 1910, there was no reason a person with sufficient ambition, skill and resources couldn’t have assembled a supercharged, fuel-injected hybrid with an automatic transmission and four-wheel hydraulic discs. But something like that would never fly.

Puckelball Pitch (the world's first!) Johan Strom, Malmö, Sweden, 2009




The world's first Puckelball pitch is in use in Malmö, Sweden, a city notable for its commitment to creating new social spaces that encourage its residents to interact outdoors.

Also called 'Mogul ball' for its resemblance to the moguls on ski runs, the puckelball pitch (made of artificial turf) is a protected design concept by artist Johan Strom, who thinks of it as a metaphor for life:

'Many live under the belief that life is a fair playing field, that both pitch halves are just as big and the goal always has at least one cross. But ultimately the ball never bounces exactly where you want it to and the pitch is both bumpy and uneven.'

As one of those uncoordinated kids that was always picked last for team sports, I would have loved playing in a setting in which 'the pitch’s irregularities neutralise the players’ skills. It is not at all certain that the best football player is also the greatest puckelball hero. If the ball doesn’t bounce where you think it will everybody has a chance.'

The unevenness of the field is intended to invite more imaginative ways to play, and to encourage play between girls and boys, old and young, skilled against unskilled, on equal footings, challenging the physical elitism inherent in most sporting activities. But serious footballers find it useful, too...for practice in responding to unpredictability.

How much do you want a puckelball pitch in your hometown? Yeah, me too. Let's start a movement.

(Malmö has more exemplary playscapes...watch for them in future posts!)

UPDATES: see also photos of the puckelball field construction by Bo Johnsson and a video about puckelball by the municipality of Malmo.

Photo Essay: 20 Amazingly Creative Works of Paper Art


Paper art is about so much more than a finely executed paper plane. Scope these 20 awesome examples.

crane origami silhouette
1. Crane origami designed by Roman Diaz and Daniel Naranjo, and folded from 37 x 37cm paper by artist Emre Ayaroglu.


tiny green frog origami on coins
2. Tiny frog origami designed by Toshikazu Kawasaki, and folded from 2 x 2cm paper by artist Emre Ayaroglu.


paper art flower pattern
3. Seven modular paper pieces forming a flower pattern. Artwork and photography by artist Elod Bregszaszi.


book dissection
4. Book Dissection by artist Brian Dettmer. The book edges are sealed and the artist works through the pages with surgical tools. Nothing is added, only removed as the book’s fragmented hidden memory is revealed. All photos used with owner’s permission.


3D colorful paper illustrations
5. Colorful 3D paper illustrations by artist Yulia Brodskaya.


Wall-E origami
6. Wall-E robot origami folded from an uncut square. Artwork and photography by artist Brian Chan. Photo used with owner’s permission.


circular paper art
7. “Innerings” has four identical sides with circles, which come together to form a whole. Basic elements, such as water and fire, are added to the circles. The work can be folded inwards to a two-dimensional surface. Artwork and photography by artist Ingrid Siliakus. Photo used with owner’s permission.


Sagrada Familia paper art
8. Two pieces inspired by Gaudi’s Barcelona masterpiece, the Sagrada Familia. Artwork and photography by artist Ingrid Siliakus. All photos used with owner’s permission.


Icosahedron II paper art
9. “Icosahedron II” made from paper & adhesive. Artwork and photography by artist Richard Sweeney. Photo used with owner’s permission.


Partial Shell paper art
10. “Partial Shell” made from watercolor paper. Artwork and photography by artist Richard Sweeney. Photo used with owner’s permission.


paper cut sculptures
11. Paper cut sculptures by artist Peter Callesen. All photos used with owner’s permission.


white shadows paper art
12. “White Shadows” made from watercolor paper and glue. Artwork and photography by artist Eleanor Lutz.

BREAKING: DROID X2, DROID 3 and Incredible 2 All in the Works, Stock Experience Coming

Last week, after Verizon announced a partnership with Apple, we asked the question, “Is the DROID brand done for?” And while most of you were on-board with the fact that this line of phones is just getting its feet wet, especially with the DROID BIONIC on the way, we were worried about the lack of other [...]

10 Ways to Write Better Blog Posts


Writing on a blog is different in many ways than writing for print. The following are ten suggestions I've created which can help bloggers write better posts. Please chime in with your own ideas and suggestions, I'm sure there are lots of things I'm leaving out! For more assistance, refer to Steve Dembo's great 2008 series of posts and project, '30 Days to Being a Better Blogger,' and ProBlogger's 2007 post series, '31 Days to Building a Better Blog.'

Moo cards for blogging workshop

Creative Commons License photo credit: Mexicanwave


  1. Focus: What topic or category(ies) do/does the post fit into? More than one can be selected. Use categories on your blog to help readers identify the main themes on which you focus.
  2. Brevity: Blog posts do NOT have length limit, like print publications, but generally people are more likely to read a short post rather than a long one. Shoot for something generally no longer than 5 - 7 paragraphs. (This guideline can be completely ignored, however, if needed or appropriate.)
  3. Hyperlinks: Good blog posts include hyperlinks which provide pathways for readers to get more information. Use hyperlinks to your own blog/site (past posts which relate) as well as outgoing links to other sites.
  4. Quotations and Links: Many good blog posts include quotations of material posted on other blogs and sites/resources, as well as links to those original sources. These cross-links are important for search engine ranking, and also because many blog platforms notify owners of 'incoming links.' These are called trackbacks on some blogs, including WordPress.
  5. Images: Use at least one image in every blog post. Like other guidelines this can be ignored at times, but using an image helps your post visibility in several ways. When a post is shared on Facebook, by default it can include a thumbnail of an image included on the post’s link. Customized digitial newspaper applications like Flipboard utilize post images prominently when creating the 'layout' of a news feed's contents. Ideally this image should relate directly to your post’s content. Consider using Flickr Creative Commons (CC) Attribution-Only images for this purpose. CompFight is another good source to use to search for CC images. PhotoDropper is a great, free plugin for WordPress that can be used to insert CC images into posts, and includes nice attribution links below the image. Remember to always include attribution links back to the source image website. Attribution is required by CC licenses, but is not part of a 'fair use' calculation under US copyright law if you choose to use 'All Rights Reserved' images from another site. The safest way to use images on blog posts (or other sites) is to use your own images (homegrown media) or CC licensed content.
  6. Tags: Include “tags” or keywords for your post which might be topics others would search for to find your content. Blogs like WordPress provide a field to include tags with each post. Using tags is like providing instructions for search engines including Google. You’re essentially asking search engines, “When people search for these keywords, point them to this post.” Use a lot of tags. There is no penalty or cost for using too many or too few tags, but err on the site of generous tag usage.
  7. Title: Like a newspaper editor, give some careful thought to the headline you choose for your post. The post title is your main tool for attracting the attention of potential readers, when they see the title in a tweet, Facebook link share, in their RSS reader, an email, or elsewhere. The title you select is also very important as your post is indexed by Google and other search engines. It can be helpful (as far as blog traffic goes) to use catchy titles which include words people are likely searching for (or will search for) online.
  8. Tone: Blog posts don’t have to be “just” informational. Many of the best posts invite feedback, discussion, and debate. On some posts, experiment taking a different tone which is more conversational and inviting for comments. Comments are RARE in the blogosphere in general, but some bloggers are much more adept than others at inviting comments. Study blogs of others on topics of interest and analyze why some posts get more comments than others. Some of this may have to do with the tone of the post. It also can be the overall culture of the blog’s followership. Will Richardson’s blog is a good one to study in this regard, his posts almost always have lots of comments. You can include some self-promotional links or links which promote your organization, but don't use a 'salesy' tone. Most blog readers aren't interested in infomercials. Share your ideas, perspectives and voice in your posts. Leave the formal sales pitches to official press releases and the marketing department, if you're writing for an organizational blog.
  9. Transparency: Do not be afraid of sharing who you are, what inspires and moves you, and what defines you as a person and professional in your blog posts. Transparency is one of the most important aspects of social media, and it invites others to follow you and continue reading what you have to share. Update your blog 'profile' with links to your personal blog, Twitter account, professional Facebook account, etc, IF (and only if) you're sharing content on those sites which is professional and which might be of potential interest to your blog readers.
  10. Engage with your Audience: After writing a blog post, it’s very important to read and respond (as appropriate) to comments left by others. Social media is all about interactivity and multi-directional communication. If you’re using WordPress, consider using a plug-in like “Subscribe to Comments” which permits anyone to receive email notifications on specific posts of interest. If you're contributing to a team blog, consider subscribing by email or RSS to the posts you write, to insure you’ll get a “heads up” whenever someone else leaves a comment your posts.

The Incredible Freedom Of A Facebook Engineer


Facebook Employees
Facebook engineers decide what they want to work on and are allowed to make changes across the site without asking for permission.

Skype product Manager Yee Lee talked to a bunch of friends who work at Facebook, and his resulting post on how Facebook ships code makes it sound like the biggest startup in the world. Some of the points in the original post were later corrected on Quora and Reddit, but the overall impression remains the same: Facebook is driven by engineers, not marketers or managers, and they trust each other to do the right thing.

Some of the surprising points:

  • Engineers decide what they want to work on. Product managers go around and lobby them trying to convince them to work on their project, then engineers talk to their managers and say 'I'd like to work on x this week.'

  • Engineers handle everything for a particular feature by themselves -- interface design, database access, and so on. If they want help from a specialist, they need to convince them that it's worth their time.

  • Engineers are responsible for their own quality assurance testing -- there's no dedicated QA team, although a Test Engineering team does create QA tools for engineers to use.

  • Any engineer can check in code to any part of Facebook's code base. Code is reviewed and can be blocked before it's pushed live, however.

  • If there's a serious argument about whether to add a feature, Facebook sometimes tests it on a small group of real-world users.

Overall, the ratio of engineers to product managers is between 7 and 10 to 1.

Combine this level of freedom with the prospect of becoming rich when Facebook goes public, and no wonder so many bright people want to work at Facebook -- and that's why older and larger companies like Google are having to pay huge bonuses to keep them from bolting.
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